In 2008 I gave a lecture (read here – german only) on apocalyptic themes in science fiction. I was chastised for being unfair after I suggested that cyberpunk renders the genre meaningless as it only predicts things that are happening anyway. If you don’t read german, I used Darko Suvins definition (which I suspect Suvin has nicked from german studies, specifically from the definition of “Novelle” (novella)) that says science fiction explores the consequences of a ‘novum’ (‘unerhörte Begebenheit’ in the classic german definition) that is introduced earlier in the story [1] and I pointed out that if the imagined world is just as, and in the same way, fucked up as the real world there really isn’t much of a novum to explore. People, as far as they still listened at that point, disagreed heavily.
Now, earlier this december Charles Stross wrote in his blog that the “Halting State” trilogy (not cyberpunk, but close enough) would not actually get a third installment because real life has turned out to be pretty much congruent with the plot of the two published novels. Which of course makes the whole excercise pointless.
I’d say when it comes to authorities in contemporary science fiction Stross is as big as it gets, so as far as I’m concerned I’d say that history has vindicated me [2].
- Of course when Suvin wrote this most science fiction actually was written in the novella format. Now that the genre expresses itself mostly in multi-volumned tomes is Suvin still relevant or do we need a new definition ? Discuss.
- Somehow I had hoped that I do not need to point this out, but since I was asked – of course that headline was supposed to be funny. Hahaha.
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